So, here's the thing--I WAS going to write a Romantic Suspense. I went to bed early last night so I could think about the book, let it play in my head, and my muse hijacked the story. She decided she wants to add in another strong male character, a best friend, his backstory, she wants the heroine to have a "ghost" familiar, as well as said best friend, and other paranormal aspects that I was not planning on. If I follow this line, it leads into well, very paranormal waters, lots of research, and more than one book, easy.
I also have to try to add these aspects in a new way, ghost, pretty easy, underlying aspects NOT. I think she is doing this so as to have the antagonist be the thing that scares me the most. It does also play in to a large part of the female and male lead's education too. So, it sort of fits.
No vamps, no shifters, she wants ghosts that started as imaginary friends and then stuck around and the characters figured out they were ghosts, heck it's New Orleans, most everything is haunted. Then she wants MORE on top of that. HUGE reveal at the end, something that ties the two friends together, a reason for the ghosts, and HOW do I do that without making it cliched, I have NO FREAKING clue. The largest puzzle piece I don't have. WHY? For what purpose? She's hiding it from me, and it has to be good, creative and really really something new. Hell, I may just go simplicity and evolutionary on it. Even then, there has to be a why? DAMN! As you can see I am frustrated. Right now I am going to write two manuscripts, one straight, one paranormal.
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Just Finished: The Mers Book One by Ami Blackwelder
Now Reading:Guardians of the Gate Book 2: An Elf Romance by Ami Blackwelder
Next Up:Re-reading Deathless and Helpless by Scott Prussing
FaeStruck's Shelfari
http://www.shelfari.com/o1518098583
Now Reading:Guardians of the Gate Book 2: An Elf Romance by Ami Blackwelder
Next Up:Re-reading Deathless and Helpless by Scott Prussing
FaeStruck's Shelfari
http://www.shelfari.com/o1518098583






